Posters
Found in 126 Collections and/or Records:
Estelle Ellis Rubenstein papers
A collection of materials from graphic designer Estelle Ellis (1920-2012), includes client projects, correspondence, various publications, personal papers, conservation resources and documentation, article clippings, and audio-visual material.
ETC Design Services collection
Educational Technology Center (ETC) Design Services materials include four folders of brochures, booklets, flyers and miscellaneous advertising, as well as a fifth section dedicated to posters, created between 1999 and 2006.
Fred Troller collection
The Troller collection was donated by Beatrice Troller in 2005 and includes material ranging from sketches, mock-ups and proofs along with final printed projects including book jackets, promotional materials, packaging and posters.
Frederick W. Brehm Memorial Lecture records
Materials related to the Frederick W. Brehm Memorial Lecture program. The program was established in 1950 in honor of Frederick W. Brehm, a former professor in the Rochester Institute of Technology's department of photography. The collection includes programs, announcements, correspondence, clippings and other records.
Gallery R collection
Gallery r exhibits and promotional materials consists of posters, invitations, mailers, fliers, and exhibit schedules; as well as photographs, slides, marketing plans, clippings, news releases and a history of exhibitions at gallery r. The gallery is student run and administered by the School of Art of the College of Imaging Arts and Sciences at RIT.
Gene and Helen Federico collection
George Veditz posters
Four works by various artists depicting George W. Veditz.
Gips + Balkind, 1983
"Graphic Design Senior Exhibtion" Ohio University School of Art, Ken Hiebert visiting critic, 1998
[halftone ballet dancer on red field], 1939
The collection contains writings and designs by Rand, including books, articles, posters, presentation booklets, and annual reports, from clients including IBM, Cummins and UCLA. The collection is separated by donor in order to preserve the source of the works, and then organized in two series: I. Client Correspondence, Project and Document Files; and II. Bibliographic Files.