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Speeches, 1940 - 2005
Series I contains materials which relate to large companies and/or groups which Lou Dorfsman has either created, directed, organized or partaken in.
Aspen Speeches
Series II contains materials relating to organizations, societies, and groups that Lou Dorfsman contributed to or participated in.
Speeches and Lectures
Series IV contains materials which relate to Lou Dorfsman's personal life, outside of coporate and club responsibilities.
MT&R Speeches and Publications, 1988 - 2001
Series I contains materials which relate to large companies and/or groups which Lou Dorfsman has either created, directed, organized or partaken in.
ADA/ADC Speeches, 1977 - 1993
Series II contains materials relating to organizations, societies, and groups that Lou Dorfsman contributed to or participated in.
AIGA commercial records, 1955 - 1965
Series II contains materials relating to organizations, societies, and groups that Lou Dorfsman contributed to or participated in.
"Good Design is Good Will" speech for Yale University School of Art, 1987
The collection contains writings and designs by Rand, including books, articles, posters, presentation booklets, and annual reports, from clients including IBM, Cummins and UCLA. The collection is separated by donor in order to preserve the source of the works, and then organized in two series: I. Client Correspondence, Project and Document Files; and II. Bibliographic Files.
"From Cassandre to Chaos" excerpt from "Design, Form and Chaos", 1992
The collection contains writings and designs by Rand, including books, articles, posters, presentation booklets, and annual reports, from clients including IBM, Cummins and UCLA. The collection is separated by donor in order to preserve the source of the works, and then organized in two series: I. Client Correspondence, Project and Document Files; and II. Bibliographic Files.
Paul Rand: A Designer's Words, 1998
The collection contains writings and designs by Rand, including books, articles, posters, presentation booklets, and annual reports, from clients including IBM, Cummins and UCLA. The collection is separated by donor in order to preserve the source of the works, and then organized in two series: I. Client Correspondence, Project and Document Files; and II. Bibliographic Files.