Scope and Contents From the Series:

Series I contains materials which relate to large companies and/or groups which Lou Dorfsman has either created, directed, organized or partaken in.

Scope and Contents From the Series:

Series I contains materials which relate to large companies and/or groups which Lou Dorfsman has either created, directed, organized or partaken in.

Scope and Contents From the Series:

Series I contains materials which relate to large companies and/or groups which Lou Dorfsman has either created, directed, organized or partaken in.

Scope and Contents From the Series:

Series I contains materials which relate to large companies and/or groups which Lou Dorfsman has either created, directed, organized or partaken in.

Scope and Contents From the Collection: The Elaine Lustig Cohen Collection contains two series: Clients and Personal. The Clients series encompasses most of the collection and focuses on Cohen's work as a graphic designer from the mid 1950s to the late 1960s, with much of the documentation consisting of letterheads, book covers, and catalogs. Her book cover designs for Meridan Books are well represented. Cohen counted cultural groups and galleries as her main clients, with these chiefly represented by Kootz Gallery, Jewish...

Scope and Contents From the Collection: The Elaine Lustig Cohen Collection contains two series: Clients and Personal. The Clients series encompasses most of the collection and focuses on Cohen's work as a graphic designer from the mid 1950s to the late 1960s, with much of the documentation consisting of letterheads, book covers, and catalogs. Her book cover designs for Meridan Books are well represented. Cohen counted cultural groups and galleries as her main clients, with these chiefly represented by Kootz Gallery, Jewish...

Scope and Contents From the Collection: The Elaine Lustig Cohen Collection contains two series: Clients and Personal. The Clients series encompasses most of the collection and focuses on Cohen's work as a graphic designer from the mid 1950s to the late 1960s, with much of the documentation consisting of letterheads, book covers, and catalogs. Her book cover designs for Meridan Books are well represented. Cohen counted cultural groups and galleries as her main clients, with these chiefly represented by Kootz Gallery, Jewish...

Scope and Contents From the Collection: The Elaine Lustig Cohen Collection contains two series: Clients and Personal. The Clients series encompasses most of the collection and focuses on Cohen's work as a graphic designer from the mid 1950s to the late 1960s, with much of the documentation consisting of letterheads, book covers, and catalogs. Her book cover designs for Meridan Books are well represented. Cohen counted cultural groups and galleries as her main clients, with these chiefly represented by Kootz Gallery, Jewish...

Scope and Contents From the Collection: The Elaine Lustig Cohen Collection contains two series: Clients and Personal. The Clients series encompasses most of the collection and focuses on Cohen's work as a graphic designer from the mid 1950s to the late 1960s, with much of the documentation consisting of letterheads, book covers, and catalogs. Her book cover designs for Meridan Books are well represented. Cohen counted cultural groups and galleries as her main clients, with these chiefly represented by Kootz Gallery, Jewish...

Scope and Contents From the Collection:

The collection contains writings and designs by Rand, including books, articles, posters, presentation booklets, and annual reports, from clients including IBM, Cummins and UCLA. The collection is separated by donor in order to preserve the source of the works, and then organized in two series: I. Client Correspondence, Project and Document Files; and II. Bibliographic Files.